SatyaVeda: All about the Veda

Vishnu Sahasranama Chanting

Satya — Sun, 16 Oct 2011 08:37:03 +0000

There is a little echo for about the first min.

Wherever I have made any mistake that I noticed, I corrected it at once.

I think you have to put max volume to hear it.

When I get more perfect, I will replace this file with the better one.

Vishnu Sahasranama : Slokas to be chanted before the 1000 names : Satya Sarada Kandula

Vishnu Sahasrsanama Main and Verses to be chanted afterwards : Satya Sarada Kandula

Satyaveda to merge with AncientIndians

Satya — Wed, 02 Mar 2011 17:35:56 +0000

Courtesy : Rajandraws.com

Dear Blog Followers,

I have moved almost all of the material in this blog-site to my site http://ancientindians.net (http://ancientindians.wordpress.com)

I am planning to make future posts and updates there only.

Here is the site-map of the work done so far. I have also labored to improve the structure as requested by my sister and another reader. I hope Siva will be pleased with my effort.

People who would like me to take classes for them, or consult with me may register at http://ancientindiansuniversity.com : Registration

Sankara, Krishna, Yagnyavalkya .. Isa Upanishad and Gita (via Ancient Indians – Satya Samhita)

Satya — Thu, 24 Feb 2011 07:13:14 +0000

The Isa Upanishad is last part of the Sukla Yajur Veda, given to us by Yajnavalkya, received by him from Surya. Krishna gave us the Bhagavad Gita which is the essence of all the upanishads. Sankaracharya has written a commentary on the Isa Upanishad as well as on the Bhagavad Gita. He advocated the Advaita Philosophy, based on how he interpreted the prasthana traya. He defended his view very well and got a lot of followers. At later points in tim … Read More

via Ancient Indians – Satya Samhita

Hidden in Plain View – The Vedas (via Ancient Indians – Satya Samhita)

Satya — Wed, 26 Jan 2011 16:26:36 +0000

For centuries people have been complaining that Vedas have been the prerogative of male brahmins and they did/do not share these with other genders and castes. The nationalist leaders of the freedom movement fixed that problem and now Vedas are available to all.. books, recordings, translations, training.. wh … Read More

via Ancient Indians – Satya Samhita

Indra Sahasranama of KavyaKantha (via Ancient Indians – Satya Samhita)

Satya — Wed, 26 Jan 2011 16:24:12 +0000

These names of Indra were culled out of the Vedas by Kavyakantha. Leila Marston has kindly provided these names along with her attempts at translation, and permitted me to share her effort with you. Thanks Leila. It is so nice to see how many names Indra and Vishnu share! indrasahasranāmastotre proktānāṁ nāmnāṁ caturthyantarūpāṇi You must read them with an initial Om and and ending namah eg Om Indraya Namah. (All the names are in chaturthi (4th v … Read More

via Ancient Indians – Satya Samhita

Upanishads in Telugu

Satya — Sat, 22 Jan 2011 16:13:31 +0000

http://www.telugubhakti.com/telugupages/Upanishads/Upanishads.htm

View this document on Scribd

Methods of chanting Veda Mantras

Satya — Sun, 05 Dec 2010 03:16:43 +0000

The gentleman who runs the Veda Gurukula in Machilipatnam, passed on this list to me through my father.

Image Source : Elamanchali Veda School : Gayathri Seva Trust

The many reetis (rItis) and gatis for chanting (repeating) the Veda Mantras.

vakya (vAkya)
pada
krama
jata (jaTa)
mala (mAla)
s’ikha
rekha (rEkha)
dhvaja
danda
ratha
ghana

Maheswara Sutras

Satya — Sat, 04 Dec 2010 04:20:28 +0000

When Maheshwara, Siva, Sambhu, played his damaru, the Sanatkumaras, the sons of Brahma, recorded the following sounds. Panini wrote about Sambhu Mata in his Siksha (phonetics) and also about Maheswara Sutras in his vyakarana (grammar). This is how I came to know about the Maheswara Sutras. While, the story says that sounds emanated from the damaru, Sri Achyut Karve, explained to me that the damru was for laya (rythym, beat) and the sounds in the sutras systematically follow the different places in the mouth at which each different kind of sound is made.

He was kind enough to record for us the Maheshwara sutras without and with the damaru, so that we know how they need to be pronounced, actually chanted in a way. He explained the importance of rythym and hand movements in language and the significance of using the pendulum based damaru for timing in the Maheswar Sutras. I was blessed to have the this tele-lesson from him on the third Karthika Somavasara of this month.. another of the myriad blessings that Siva has showered upon me.

Please listen carefully to the entire recording. Sri Karve is long time practioner of the tabla and that led him to the Maheshwara Sutras.

Ganapati Mantram. Chanting with Vedic Swaras. Siksha Vedanga

Satya — Sat, 30 Oct 2010 13:28:28 +0000

This is the Ganapati Mantram.

These are the swaras as per the Saswara Veda Mantrah publication of Sri Rama Krishna Math.

This is an audio recording I have done. I want you, not to hunt for flaws.. but to observe the intonation of the letters marked with lines below and on the top.

Vedangas

Authorship, Recording and Copyright Notice : Satya Sarada Kandula

Sri Maha Mrtyunjaya Mantram :Rudram : Vasishtha Rishi (via Ancient Indians – Satya Samhita)

Satya — Wed, 20 Oct 2010 13:29:51 +0000

RSI dEvata chandas : maitrA varunir vasiSTha RSih : The RSi (Rishi, Rushi) of this mantra is Vasishtha the son of Mitra and Varuna. tryambakarudrO dEvatA : The devata of this mantra is tryambaka rudra अनुष्टुप्छन्दः : Anushtup Chandas hRdayAdi nyAsa : tryambakam hRdayAya namah. yajAmahE s'iras'E svAhA. sugan … Read More

via Ancient Indians – Satya Samhita